46" Lakshmi-Ganesha-Sarasvati Urli With Dangling Lamps | Handmade |

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An urli is a very Indian piece of home decor. It is a simple intuitive arrangement - a wide and shallow vessel that is filled with freshwater, on which is then floated the petals of freshly plucked flowers. Not only does a skillfully arranged urli fill your space with your favourite scent, but also makes for a pretty picture. The one-of-a-kind urli that you see on this page is a visually outstanding work of art in itself. Fashioned from bronze in the heart of India's contemporary bronze sculptural tradition, Bangalore, it would make for a sight once it filled to the brim with water, its surface packed densely with coloured petals.


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Item Code: ZEM560
Specifications:
BRONZE STATUE FROM BANGALORE
Height: 46 inch
Width: 24.5 inch
Depth: 26.7 inch
Weight: 58 kg
Handmade
Handmade
Free delivery
Free delivery
Fully insured
Fully insured
Shipped to 153 countries
Shipped to 153 countries
More than 1M+ customers worldwide
More than 1M+ customers worldwide

The vessel stands on three peacock legs. There is a symmetrical vine motif carved at the front-centre of the mouth. The same is flanked by a pair of peacocks preening themselves, their miniscule plumage carved with great attention to detail. Their tails seemingly extend into the curvaceous vines that grace the edge of the urli’s mouth.

Amidst the vines curving upwards from the abaxial edge of the urli are seated Devi Lakshmi and her sister, Devi Sarasvati. On a similar scale is a Lord Ganesha murti at the top, flanked by His humble vahana and a pair of lamp-trays that add to the aesthetic appeal of your urli. The majestic vines that define this composition gather in a signature kirtimukha image at the very top.



WHAT IS PANCHALOHA BRONZE AND HOW TO TAKE CARE OF IT ?

 

Bronze is a metal alloy that has the primary composition of Copper and Tin. There is also an addition of other metals such as Manganese, Aluminium, Nickel, and some non-metals such as Phosphorus. This composition of several metals and non-metals makes Bronze an extremely durable and strong metal alloy. It is for this reason that Bronze is extensively used for casting sculptures and statues. Since Bronze has a low melting point, it usually tends to fill in the finest details of a mould and when it cools down, it shrinks a little that makes it easier to separate from the mould.

" If you happen to have a bronze statue, simply use a cotton cloth with some coconut oil or any other natural oil to clean the statue. "

 

A village named Swamimalai in South India is especially known for exceptionally well-crafted Bronze icons of Hindu Gods and Goddesses. The skilled artisans of this place use Panchaloha Bronze for casting the icons. Panchaloha Bronze is made of five metals; Copper, Zinc, Lead, and small quantities of Gold and Silver. Zinc gives a golden hue to the finished figure and Lead makes the alloy softer for the easy application of a chisel and hammer. The common technique for producing these statues and sculptures is the “Lost-wax” method. Because of the high durability of bronze sculptures and statues, less maintenance is required, and can still last up to many decades.

Exotic India takes great pride in its collection of hand-picked Panchaloha Statues. You will find the murtis of Gods (Krishna, Hanuman, Narasimha, Ganesha, Nataraja, and Kartikeya) and Goddesses (Saraswati, Lakshmi, Durga, and Parvati), and Buddha statues. You can also buy Ritual paraphernalia (Wicks lamp, Puja Kalash, Cymbals, and Puja Flag) on the website. All these statues and items have been made with a lot of care and attention, giving them a flawless finish. Their fine carving detail represents the rich tradition of India.


How are Bronze statues made?

Bronze statues and sculptures are known for their exquisite beauty and the divinity that they emit all around the space. Bronze is considered an excellent metal alloy, composed primarily of copper and tin. Many properties make it suitable for sculpting even the most intricate and complex structures. There was a period in history, known as the "Bronze Age", in which most sculptors preferred to work with Bronze as it was considered the hardest metal. Bronze is especially appreciated for its durability, ductility, and corrosion-resistance properties. India is especially known for its elegant workmanship of skills working with Bronze. The artisans of a town named Swamimalai in South India have been following a tradition of bronze murti making for ages. They use a special material known as Panchaloha bronze to make fascinating icons of Hindu Gods and Goddesses.

All of us are allured by the beauty of bronze statues and sculptures but there goes a tough hand in casting those masterpieces with little or no imperfections. Since it is an extremely elaborate process, a sculptor needs to be highly skilled in making bronze antiques. The most common technique for casting bronze sculptures that has been followed since ancient times is the “Lost-wax” process which involves many steps:

1. Clay model making

The making of a bronze statue or sculpture starts with preparing a full-sized clay (usually Plasticine) model of the sculpture. This allows the artist to have an idea about the overall shape and form of the desired sculpture before working with bronze, a much more expensive and difficult-to-work-with material.
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2. Mould making

Once the clay model is ready, a mould of the original sculpture is made. This is done by carefully covering the clay model with plaster strips. This step is carried out in such a way that no air bubbles are formed. It takes up to 24 hours for the plaster to dry. Once dried, the plaster is then gently removed from the clay model. The removal happens easily because the inner mould is usually made of materials such as polyurethane rubber or silicone.

3. Wax filling and removal

In this step, molten bronze or wax is poured or filled into the mould in such a way that it gets even into the finest details. The mould is then turned upside down and left to cool and harden. When the wax has hardened, it is removed from the mould.
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4. Chasing

Chasing is the process in which the artist refines the surface of the bronze statue using various tools to achieve fine details. This smoothens the surface and gives the statue a finished look. If some parts of the statue were moulded separately, they are now heated and attached.
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5. Applying a patina

Bronze sculptures are known for their unique look or sheen on the surface. This may take several years to achieve naturally. Applying patina to bronze sculptures is an important step to make them appear attractive.
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Working with clay, plaster mould, and molten wax can be messy and therefore sculptors wear old clothes and remain careful. The entire process of making a bronze statue takes several months to complete. Bronze sculptures last for many centuries because of the high durability of the material. Many centuries down the line, these sculptures continue to be appreciated for their majestic beauty.

The Power of Light: Understanding the Role of Oil Lamps in Hinduism

Hinduism is a boon to human society for it guides everyone to follow their Dharma and rise above the material concept of life. Hinduism is also known as “Sanatan Dharma”. These are Sanskrit terms in which Sanatan means “eternal” and Dharma means “Intrinsic nature or occupation”. Thus it deals with the intrinsic nature or the real identity of the living entities; that which can never be taken away from them. The principles of Hinduism are given in the Vedic literature or scriptures that are considered “Apaurusheya”; they have not been written by any ordinary person but have been compiled by Vyasadev, the literary incarnation of the Supreme Lord Krishna. The word “Veda” means complete knowledge, both material and spiritual. The knowledge in Vedic literature is so vast and precise that if one looks carefully, he will notice that nothing is sentimental or imaginary but is based on facts and truth. There is a clear description and information about the identity of all living beings, the nature of the Absolute Truth, the reason for the existence of this world, the information about the world beyond this universe, and the relationship between us and God, the Absolute Truth.

Why do we light a lamp?

There are many rituals recommended in the Vedas for engaging our body and mind in the service of God. One of them is the lighting of ghee or oil lamps before the deity. According to the Vedic injunctions, all auspicious functions begin with lighting a lamp. It has a great spiritual significance. It is believed that the light of the lamp symbolizes “knowledge”, the wick symbolizes the false ego of the living entity, and ghee (clarified butter) or oil symbolizes all the negative tendencies (Anarthas) accumulated in the heart such as greed, lust, anger, and envy. When the lamp is lit by spiritual knowledge, all the Anarthas are exhausted, and the false ego, which is the root cause of conditional life, is also burnt. Therefore, the lamp is lit before the Lord as a sacrifice of our false ego in His service. Just as the light of the lamp dissipates all darkness, similarly, the light of knowledge dissipates ignorance of the Jivas and enables us to realize our real identity and purpose of life.
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Why only an oil or ghee lamp?

One may question why only an oil lamp is lit before the Lord and why not an artificial light source. This may sound logical but lighting a lamp has a further spiritual significance. The flame of the light in a lamp always burns upwards indicating that by cultivating spiritual knowledge, one achieves the highest perfection of life and is always victorious. Also, a traditional lamp is the purest form of offering.
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In almost every house of a follower of Sanatan Dharma, an oil or ghee lamp is lit before the altar of the Lord or before the Tulsi plant. Some people light it at dawn, some at dusk, and some people prefer to light it at dawn and dusk. Either ghee or sesame oil can be used to burn the wick. Vaishnavas (devotees of Lord Vishnu or Krishna) especially light a ghee lamp every day in the month of Kartik to offer their love and devotion to the Lord.
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