The Devi is waited upon by two handmaidens who rival each other in terms of personal beauty and devotion to Her. Dressed in elegant silken skirts and seductive translucent dupattas, one of these ladies offers a namaskaram to Bhagavati while the other waves over Her head a chauri, which is an arati implement fit for royals. Their shringar does justice to the resplendent, enthroned entity painted betwixt them. Note how this composition has similarities with Mughal imperial portraiture, which serve to convey the power implicit in Her iconography and attributes.
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