Foreword
The
Ramayana and the Mahabharata are the two renowned epics of India. The Mahabharata
as its name hints tells the story of the noble descendants of King Bharata. Its reputed author was Vedavyasa.
The Mababharata is known as Panchama
Veda, the fifth Veda. It was specially written in order to make the sublime
knowledge of the four Vedas available to the common folks. Few books have ever
exerted such profound influence on the minds of men as the Mahabharata.
The
immortal epic Mahabharata is unique in every way. It gives an account of
persons with different qualities. maxims for right
conduct and indicates the ways so realize God. With its hundred thousand slokas, it is a "full treatise on the science of
society giving portraits, customs. heroic deeds of
persons and contains a picture of universal movement light and shades". In
his own inimitable manner Vyasa has brought home to us the truth that sin and
sinfulness are certain to be destroyed and even good souls, if they associate
with these.
Philosophy
seldom appeals to the mind. But in Mahabharata even the most abstruse
philosophic truths are put across by means of stories and legends. This is the
secret of its popularity among all classes of people.
We may
find priceless teachings in the great Hindu poem of the Mahabharata. This is a
book which must be placed in the hands of the young to awaken in them an
awareness of our rich moral heritage and to lift them from the dropping faith
in values .
Sanskrit,
as a tool of cultural communication, holds a unique place among the languages
of the world. Nowadays, there are very few youngsters who are familiar with
Sanskrit to read through the book in the original. The only alternative is to
read 'translations.
Dr. Nanduri Ramakrishnamacharya has
rendered the epic into English. Nothing of importance in the ethical and the
spiritual teaching of Mahabharata is left out. At
places, it reads not as a summary, but the original. Reading the book is
liberal and religious education.
A very
noteworthy point about the book is its excellent readability. The book is a
tribute to the scholarship and erudition of Dr. Acharya.
We hope that this volume will be of considerable value for both spiritual men
and laymen.
Preface
The
Mahabharata is the largest literary work ever composed in the annals of the
world. It comprises eighteen voluminous treatises containing about one lakh
verses of four lines each. In sheer size it is six times bulkier than the Iliad
and the Odyssey put together.
The
Mahabharata is the most important landmark in the cultural evolution of mankind
'and the biggest heritage which ancient India has bequeathed to the succeeding
generations.
However,
this modest book,-the epitome of the great Indian Epic, the Mahabharata in a
nutshell-is conceived as a compendious composition mirroring the monumental work
in a small compass.
The
Sanskrit Mahabharata-to borrow the native idiom is a gigantic equatorial forest
harbouring a dazzling variety of flora and fauna, girdling the globe. This
little volume, is neither a translation nor a
judicious abridgement of the original. To continue the
metaphor. this is a mini-municipal park.
However, sincere care has been taken to transplant all the botanical specimens
from the mother forest into the miniature nursery.
The
Mahabharata is essentially a literary masterpiece narrating the secular as well
as the spiritual experiences connected with the Bharata
Dynasty extending over several generations. Bhagavadgita,
the Song Celestial is a part and parcel of this epic. The
Mahabharata together with its innumerable parables and fables. episodes and anecdotes has propounded a theory of
philosophical Relativity, harmonizing the secular and the spiritual into a
synthesis and symphony wherein the parameters and paradoxes. contradictions
and conflicts of life lose their static connotations to acquire a dynamic
concord and concomitance.
Thus all the concepts including truth and
non-violence. justice
and fair play, crime and punishment. good and evil
right and wrong etc. are viewed
by the Mahabharata and evaluated vis-a-vis their geocentric longitude and latitude. different chronological axes, and diverse human aptitudes.
It is maintained that no man can ever bathe in the same river twice; the water
is not the same; the man as well is not the same. Change is the inexorable' law
of nature as well as the secret of the atoms. The Mahabharata has dealt with
the world of relativity synthesizing secular dimensions with spiritual
dynamics. Thus no concept or ideal, according to the Mahabharata, has an
absolute value or a circumscribed meaning. Sri Krishna, the practical
philosopher par excellence, has been the author of this way of life distinct
from the doctrinaire approach of didactic dogmatism.
The
original Mahabharata in the Sanskrit is replete with many 'Majestic Maxims'
'antithetical. aphorisms' with their crisp cadences
and metrical melodies: I have tried, in my own humble way to translate some of
them into English and to incorporate them into this book. Thus this venture is
not a prosaic paraphrase of the poetry and philosophy embedded in the
Mahabharata. I have tried to add explanation as well as expansion, elucidation
and elaboration wherever necessary. Here and there, there may be some sentences
influenced by the Sanskrit syntax and Indian idiom. The native reader will of
course experience no difficulty with them. Even the foreign student, I hope,
will be pleased to enjoy the unfamiliar fragrance and flavour for a while. The
English language is known for its catholicity and capacity for absorption and
assimilation of international influences and is certainly richer benefitted by
cross-fertilisation of cultures.
A
glossary is appended for the benefit of the reader. I hope,
the prospective citizens of the world, in the rising generations of all the
countries, will find ample corroboration for their convictions in this book as
the Mahabharata is not merely an Indian classic but a truly international epic.
World literature is one, though written in different languages. Mankind is one
though designated into different races. Mythology is the shell and man is the
kernel of the Mahabharata. Unity in diversity is the soul of the whole story.
The burden of the song of this sublime saga of humanity,
is 'elasticity of the mind for the sake of enlightenment'.
In
English there are very few books on the Mahabharata. They have viewed the epic
from different angles. This book contains a connected account of the whole
story, strictly following the Sanskrit original. I have appended a chapter, The Mahabharata-A Chronological Study, wherein
I have incorporated all the theories enunciated so far by eminent scholars,
Indian as well as foreign, who have done commendable research to determine the
date of the Mahabharata war and the composition of the epic. Likewise I have
appended another chapter, Mahabharata=Myth
and Reality analysing the latest views of eminent scholars as well as
historians and archaeologists. In another chapter, I have traced the historical
evolution of the epic and discussed the problem of authorship and redactors
exhaustively. In this sense, I think, this is the first comprehensive book, in
a concise compass, on the Mahabharata in English.
In the
concluding verses of the epic, the Suta in his
convocation address of the Satrayaga where the
Mahabharata was narrated to the ascetics of Naimisa
forest, says,
"Anything
elsewhere is an echo of what is here, What is not here
is nowhere.”
The
earnest reader of the Mahabharata is twice blessed because he can secure the
best of both the worlds, the sceptre here and the
salvation in the next.
Even a
casual reader who comprehends a single sentence or a solitary syllable will
find the Mahabharata to be a sublime, spiritual sanctuary to which one can
return for refuge, securing comfort and consolation, confidence and candour.
Anybody,
who masters the epic, will become a practical philosopher who can rise above
life's perplexities and puzzles, doubts and dilemmas and face all challenges
with courage and conviction, scaling summits of prosperity and peace, success
and self-realisation.
The
claim made by Suta many centuries ago is more or less
valid even today.
The
Mahabharata, I hope as the author mentions, will illumine the mind of man as
long as the sun and the moon shine and the stars twinkle, as it portrays the
Eternal Drama of human existence, with all its ironies and intricacies,
subtleties and susceptibilities, suffocations and satisfactions, mysteries and
melodies, the psychological heights and emotional depths.
In
conclusion, I thank the T. T. D. Tirupati for sponsoring the publication of this
book. In particular, I offer my hearty congratulations to Shri P. V. R. K.
Prasad, I.A.S. Former Executive Officer, T. T. D.
Contents
PART I |
||
Introduction |
1 |
|
The Fifth Veda |
2 |
|
ADI PARVA |
||
1 |
Ancestors |
5 |
2 |
The Distinguished
Father and the Dear Daughter' |
5 |
3 |
Marriage of Devayani |
8 |
4 |
The Baby of the Birds |
13 |
5 |
'Goddess Ganga in
Human Form |
17 |
6 |
The Fisher Girl of
Fragrant Glamour |
19 |
7 |
Vichitravirya |
21 |
8 |
Son of the Sun God |
26 |
9 |
Pandu Cursed |
28 |
10 |
Birth of Pandavas |
29 |
11 |
The Princes |
31 |
12 |
The Golden Ball |
33 |
13 |
Ekalavya: The Proverbial Pupil of the Prestigious
Preceptor |
37 |
14 |
Public Examination of the
Prowess of the Princes |
39 |
15 |
Guru Dakshina |
44 |
16 |
The Wax Palace |
46 |
17 |
The Escape |
50 |
18 |
Hidimbi |
52 |
19 |
Baka |
53 |
20 |
Draupadi's Svayamvara |
56 |
21 |
Home Coming of the
Pandavas |
65 |
22 |
Arjuna's Pilgrimage |
70 |
23 |
Subhadra |
72 |
24 |
The Khandava Ordeal |
74 |
25 |
Mandapala |
75 |
SABHA PARVA |
||
26 |
Strength as well as Strategem |
78 |
27 |
Jarasandha |
81 |
28 |
The Digvijaya |
84 |
29 |
The Rajasuya |
87 |
30 |
Sisupal |
89 |
31 |
Invitation to the Game
of Dice |
92 |
32 |
The Game of Dice |
96 |
33 |
The Disgrace |
99 |
34 |
Game of Dice-The
Second Round |
105 |
ARANYA PARVA |
||
35 |
The Forest Exite |
110 |
36 |
JanakaGita |
111 |
37 |
Vidura |
113 |
38 |
Maitreya |
115 |
39 |
Saumbhaka |
117 |
40 |
The Domestic Debate |
121 |
41 |
The Mystic Missiles |
123 |
42 |
Arjuna at Amaravati |
126 |
43 |
Blessing in Disguise |
127 |
44 |
The Nivatakavachas |
129 |
45 |
Catharsis |
130 |
46 |
Kali |
134 |
47 |
Karkola |
137 |
48 |
The Second Svayamvara |
139 |
49 |
The Pilgrimages |
145 |
50 |
Rishyasringa |
146 |
51 |
Agastya |
146 |
52 |
Sukanya |
148 |
53 |
Sibi |
148 |
54 |
Bhagiratha |
149 |
55 |
Parasurama |
150 |
56 |
The Golden Lotus |
151 |
57 |
The Python |
155 |
58 |
Markandeya |
157 |
59 |
The Vanity Fair |
159 |
60 |
The Bitter Boomerang |
161 |
61 |
TIle Vaishnavayaga |
164 |
62 |
The Abduction |
166 |
63 |
The Classic Quiz |
169 |
VIRATA PARVA |
||
64 |
Message of Dhaumya |
175 |
65 |
The Incognito |
179 |
66 |
The Ribald Lover |
181 |
67 |
The Southern Battle
for the Cattle |
181 |
68 |
The Prince of
Braggarts |
190 |
69 |
The Northern Battle
for the Cattle |
194 |
70 |
The Revelation |
|
71 |
The Wedding |
198 |
UDYOGA PARVA |
||
72 |
Peace Parley by the Panchala Priest |
206 |
73 |
"Parthasarathi"-Arjuna's
Charioteer |
208 |
74 |
Flattered Vanity
|
211 |
75 |
Pride Goeth Before Fall |
215 |
76 |
Pleasant Platitudes
and Hollow Hands |
217 |
77 |
The Sleepless Night |
219 |
78 |
Kunti and Karna |
221 |
79 |
The Plenipotentiary of
Peace |
224 |
80 |
Karna and Krishna |
234 |
81 |
The Pandava Generalissimo |
236 |
82 |
Supreme Commander of
the Kaurava Armies |
239 |
83 |
Rukmi the Rejected Renegade |
243 |
84 |
The Solitary Pilgrim
of Peace |
245 |
BHISMA PARVA |
||
85 |
The War Reporter |
247 |
86 |
The March of the Kaurava Army |
248 |
87 |
The Martial Code
|
250 |
88 |
Dharmaputra Seeks Benediction |
252 |
89 |
Bhagavadgita, The Song Celestial |
254 |
90 |
The Great War-First
Day |
265 |
91 |
The Great War-The
Second Day |
269 |
92 |
The Great War-The
Third Day |
272 |
93 |
The Great War-The Fourth
Day |
277 |
94 |
The Great War-The
Fifth Day |
280 |
95 |
The Great War-The
Sixth Day |
282 |
96 |
The Great War-The
Seventh Day |
28S |
97 |
The Great War-The
Eighth Day |
288 |
98 |
The Great War-The
Ninth Day |
293 |
99 |
The Secret Meeting |
297 |
100 |
The Great War-The
Tenth Day |
299 |
101 |
Karna and Bhisma |
304 |
DRONA PARVA |
||
102 |
The Great War-The
Eleventh Day |
306 |
103 |
The Preceptor's
Promise |
308 |
104 |
The Great War-The
Twelfth Day |
313 |
105 |
Supratika |
316 |
106 |
The Great War-The
Thirteenth Day |
320 |
107 |
Saindhava Jayadratha |
322 |
108 |
Abhimanyu |
323 |
109 |
The Father's Grief |
326 |
110 |
The Vow |
328 |
111 |
The Great War-The
Fourteenth Day |
331 |
112 |
Duryodhana's Discomfiture |
334 |
113 |
Satyaki and Bhurisrava |
336 |
114 |
Bhurisrava |
338 |
115 |
Bhima's Exploits |
341 |
116 |
Humiliation of Bhima |
343 |
117 |
Death of Saindhava |
344 |
118 |
The Nocturnal Fight |
346 |
119 |
The Great War-The
Fifteenth Day |
349 |
KARNA PARVA |
||
120 |
The Great War-The
Sixteenth Day |
355 |
121 |
The Great War-The
Seventeenth Day |
358 |
122 |
Karna and Yudhisthira |
360 |
123 |
Beloved Brothers At
Loggerheads |
363 |
124 |
Death of Duhsasana |
366 |
125 |
Fall of Karna |
367 |
126 |
Duryodhana's Grief |
371 |
SALYA PARVA |
||
127 |
The Great War-The
Eighteenth Day |
373 |
128 |
Hypnotism of Hope |
373 |
129 |
The Final Encounter |
377 |
130 |
Balarama's Indictment |
379 |
SAUPTIKA PARVA |
||
131 |
The Massacre at
Midnight |
382 |
132 |
The Gruesome Gem |
385 |
STRI PARVA |
||
133 |
The Condolences |
387 |
134 |
The Sorrowful Secret |
390 |
SANTI PARVA |
||
135 |
The Integral
Equilibrium |
392 |
136 |
The Coronation |
393 |
ANUSASANIKA PARVA |
||
137 |
The Instruction |
395 |
ASVAMEDHA PARVA |
||
138 |
Sri Krishna's Exit |
397 |
139 |
Udanka |
397 |
140 |
The Still-Born Child |
400 |
141 |
The Asvamedha |
401 |
142 |
Saktuprastha |
404 |
ASRAMA VASA PARVA |
||
143 |
Death of Dhritarashtra |
410 |
MAUSALA PARVA |
||
144 |
The Drunken Debacle |
412 |
MAHAPRASTHANIKA & SVARGAROHANA PARVAS |
||
145 |
The Mahaprasthana |
416 |
PART II |
||
A CHRONOLOGICAL STUDY |
||
1 |
Authorship of The
Mahabharata Vedavyasa |
423 |
2 |
Evolution of the Epic |
425 |
3 |
Ugrasravas and the Sattrayaga
of Saunaka |
429 |
4 |
Repetitions |
437 |
5 |
Recensions |
438 |
6 |
Commentaries |
439 |
7 |
The Mahabharata-A Chronological
Study |
440 |
8 |
Geographical Evidence |
449 |
9 |
Evidences of Sutra
Literature |
451 |
10 |
Astronomical
References |
452 |
11 |
Vidura Seva Ashram Seminar |
455 |
12 |
Objections against the
Traditional Theory |
461 |
13 |
Archaeology |
465 |
14 |
Mahabharata-Myth and
Reality Glossary |
473 |
Glossary |
487 |
|
Index |
493 |
Foreword
The
Ramayana and the Mahabharata are the two renowned epics of India. The Mahabharata
as its name hints tells the story of the noble descendants of King Bharata. Its reputed author was Vedavyasa.
The Mababharata is known as Panchama
Veda, the fifth Veda. It was specially written in order to make the sublime
knowledge of the four Vedas available to the common folks. Few books have ever
exerted such profound influence on the minds of men as the Mahabharata.
The
immortal epic Mahabharata is unique in every way. It gives an account of
persons with different qualities. maxims for right
conduct and indicates the ways so realize God. With its hundred thousand slokas, it is a "full treatise on the science of
society giving portraits, customs. heroic deeds of
persons and contains a picture of universal movement light and shades". In
his own inimitable manner Vyasa has brought home to us the truth that sin and
sinfulness are certain to be destroyed and even good souls, if they associate
with these.
Philosophy
seldom appeals to the mind. But in Mahabharata even the most abstruse
philosophic truths are put across by means of stories and legends. This is the
secret of its popularity among all classes of people.
We may
find priceless teachings in the great Hindu poem of the Mahabharata. This is a
book which must be placed in the hands of the young to awaken in them an
awareness of our rich moral heritage and to lift them from the dropping faith
in values .
Sanskrit,
as a tool of cultural communication, holds a unique place among the languages
of the world. Nowadays, there are very few youngsters who are familiar with
Sanskrit to read through the book in the original. The only alternative is to
read 'translations.
Dr. Nanduri Ramakrishnamacharya has
rendered the epic into English. Nothing of importance in the ethical and the
spiritual teaching of Mahabharata is left out. At
places, it reads not as a summary, but the original. Reading the book is
liberal and religious education.
A very
noteworthy point about the book is its excellent readability. The book is a
tribute to the scholarship and erudition of Dr. Acharya.
We hope that this volume will be of considerable value for both spiritual men
and laymen.
Preface
The
Mahabharata is the largest literary work ever composed in the annals of the
world. It comprises eighteen voluminous treatises containing about one lakh
verses of four lines each. In sheer size it is six times bulkier than the Iliad
and the Odyssey put together.
The
Mahabharata is the most important landmark in the cultural evolution of mankind
'and the biggest heritage which ancient India has bequeathed to the succeeding
generations.
However,
this modest book,-the epitome of the great Indian Epic, the Mahabharata in a
nutshell-is conceived as a compendious composition mirroring the monumental work
in a small compass.
The
Sanskrit Mahabharata-to borrow the native idiom is a gigantic equatorial forest
harbouring a dazzling variety of flora and fauna, girdling the globe. This
little volume, is neither a translation nor a
judicious abridgement of the original. To continue the
metaphor. this is a mini-municipal park.
However, sincere care has been taken to transplant all the botanical specimens
from the mother forest into the miniature nursery.
The
Mahabharata is essentially a literary masterpiece narrating the secular as well
as the spiritual experiences connected with the Bharata
Dynasty extending over several generations. Bhagavadgita,
the Song Celestial is a part and parcel of this epic. The
Mahabharata together with its innumerable parables and fables. episodes and anecdotes has propounded a theory of
philosophical Relativity, harmonizing the secular and the spiritual into a
synthesis and symphony wherein the parameters and paradoxes. contradictions
and conflicts of life lose their static connotations to acquire a dynamic
concord and concomitance.
Thus all the concepts including truth and
non-violence. justice
and fair play, crime and punishment. good and evil
right and wrong etc. are viewed
by the Mahabharata and evaluated vis-a-vis their geocentric longitude and latitude. different chronological axes, and diverse human aptitudes.
It is maintained that no man can ever bathe in the same river twice; the water
is not the same; the man as well is not the same. Change is the inexorable' law
of nature as well as the secret of the atoms. The Mahabharata has dealt with
the world of relativity synthesizing secular dimensions with spiritual
dynamics. Thus no concept or ideal, according to the Mahabharata, has an
absolute value or a circumscribed meaning. Sri Krishna, the practical
philosopher par excellence, has been the author of this way of life distinct
from the doctrinaire approach of didactic dogmatism.
The
original Mahabharata in the Sanskrit is replete with many 'Majestic Maxims'
'antithetical. aphorisms' with their crisp cadences
and metrical melodies: I have tried, in my own humble way to translate some of
them into English and to incorporate them into this book. Thus this venture is
not a prosaic paraphrase of the poetry and philosophy embedded in the
Mahabharata. I have tried to add explanation as well as expansion, elucidation
and elaboration wherever necessary. Here and there, there may be some sentences
influenced by the Sanskrit syntax and Indian idiom. The native reader will of
course experience no difficulty with them. Even the foreign student, I hope,
will be pleased to enjoy the unfamiliar fragrance and flavour for a while. The
English language is known for its catholicity and capacity for absorption and
assimilation of international influences and is certainly richer benefitted by
cross-fertilisation of cultures.
A
glossary is appended for the benefit of the reader. I hope,
the prospective citizens of the world, in the rising generations of all the
countries, will find ample corroboration for their convictions in this book as
the Mahabharata is not merely an Indian classic but a truly international epic.
World literature is one, though written in different languages. Mankind is one
though designated into different races. Mythology is the shell and man is the
kernel of the Mahabharata. Unity in diversity is the soul of the whole story.
The burden of the song of this sublime saga of humanity,
is 'elasticity of the mind for the sake of enlightenment'.
In
English there are very few books on the Mahabharata. They have viewed the epic
from different angles. This book contains a connected account of the whole
story, strictly following the Sanskrit original. I have appended a chapter, The Mahabharata-A Chronological Study, wherein
I have incorporated all the theories enunciated so far by eminent scholars,
Indian as well as foreign, who have done commendable research to determine the
date of the Mahabharata war and the composition of the epic. Likewise I have
appended another chapter, Mahabharata=Myth
and Reality analysing the latest views of eminent scholars as well as
historians and archaeologists. In another chapter, I have traced the historical
evolution of the epic and discussed the problem of authorship and redactors
exhaustively. In this sense, I think, this is the first comprehensive book, in
a concise compass, on the Mahabharata in English.
In the
concluding verses of the epic, the Suta in his
convocation address of the Satrayaga where the
Mahabharata was narrated to the ascetics of Naimisa
forest, says,
"Anything
elsewhere is an echo of what is here, What is not here
is nowhere.”
The
earnest reader of the Mahabharata is twice blessed because he can secure the
best of both the worlds, the sceptre here and the
salvation in the next.
Even a
casual reader who comprehends a single sentence or a solitary syllable will
find the Mahabharata to be a sublime, spiritual sanctuary to which one can
return for refuge, securing comfort and consolation, confidence and candour.
Anybody,
who masters the epic, will become a practical philosopher who can rise above
life's perplexities and puzzles, doubts and dilemmas and face all challenges
with courage and conviction, scaling summits of prosperity and peace, success
and self-realisation.
The
claim made by Suta many centuries ago is more or less
valid even today.
The
Mahabharata, I hope as the author mentions, will illumine the mind of man as
long as the sun and the moon shine and the stars twinkle, as it portrays the
Eternal Drama of human existence, with all its ironies and intricacies,
subtleties and susceptibilities, suffocations and satisfactions, mysteries and
melodies, the psychological heights and emotional depths.
In
conclusion, I thank the T. T. D. Tirupati for sponsoring the publication of this
book. In particular, I offer my hearty congratulations to Shri P. V. R. K.
Prasad, I.A.S. Former Executive Officer, T. T. D.
Contents
PART I |
||
Introduction |
1 |
|
The Fifth Veda |
2 |
|
ADI PARVA |
||
1 |
Ancestors |
5 |
2 |
The Distinguished
Father and the Dear Daughter' |
5 |
3 |
Marriage of Devayani |
8 |
4 |
The Baby of the Birds |
13 |
5 |
'Goddess Ganga in
Human Form |
17 |
6 |
The Fisher Girl of
Fragrant Glamour |
19 |
7 |
Vichitravirya |
21 |
8 |
Son of the Sun God |
26 |
9 |
Pandu Cursed |
28 |
10 |
Birth of Pandavas |
29 |
11 |
The Princes |
31 |
12 |
The Golden Ball |
33 |
13 |
Ekalavya: The Proverbial Pupil of the Prestigious
Preceptor |
37 |
14 |
Public Examination of the
Prowess of the Princes |
39 |
15 |
Guru Dakshina |
44 |
16 |
The Wax Palace |
46 |
17 |
The Escape |
50 |
18 |
Hidimbi |
52 |
19 |
Baka |
53 |
20 |
Draupadi's Svayamvara |
56 |
21 |
Home Coming of the
Pandavas |
65 |
22 |
Arjuna's Pilgrimage |
70 |
23 |
Subhadra |
72 |
24 |
The Khandava Ordeal |
74 |
25 |
Mandapala |
75 |
SABHA PARVA |
||
26 |
Strength as well as Strategem |
78 |
27 |
Jarasandha |
81 |
28 |
The Digvijaya |
84 |
29 |
The Rajasuya |
87 |
30 |
Sisupal |
89 |
31 |
Invitation to the Game
of Dice |
92 |
32 |
The Game of Dice |
96 |
33 |
The Disgrace |
99 |
34 |
Game of Dice-The
Second Round |
105 |
ARANYA PARVA |
||
35 |
The Forest Exite |
110 |
36 |
JanakaGita |
111 |
37 |
Vidura |
113 |
38 |
Maitreya |
115 |
39 |
Saumbhaka |
117 |
40 |
The Domestic Debate |
121 |
41 |
The Mystic Missiles |
123 |
42 |
Arjuna at Amaravati |
126 |
43 |
Blessing in Disguise |
127 |
44 |
The Nivatakavachas |
129 |
45 |
Catharsis |
130 |
46 |
Kali |
134 |
47 |
Karkola |
137 |
48 |
The Second Svayamvara |
139 |
49 |
The Pilgrimages |
145 |
50 |
Rishyasringa |
146 |
51 |
Agastya |
146 |
52 |
Sukanya |
148 |
53 |
Sibi |
148 |
54 |
Bhagiratha |
149 |
55 |
Parasurama |
150 |
56 |
The Golden Lotus |
151 |
57 |
The Python |
155 |
58 |
Markandeya |
157 |
59 |
The Vanity Fair |
159 |
60 |
The Bitter Boomerang |
161 |
61 |
TIle Vaishnavayaga |
164 |
62 |
The Abduction |
166 |
63 |
The Classic Quiz |
169 |
VIRATA PARVA |
||
64 |
Message of Dhaumya |
175 |
65 |
The Incognito |
179 |
66 |
The Ribald Lover |
181 |
67 |
The Southern Battle
for the Cattle |
181 |
68 |
The Prince of
Braggarts |
190 |
69 |
The Northern Battle
for the Cattle |
194 |
70 |
The Revelation |
|
71 |
The Wedding |
198 |
UDYOGA PARVA |
||
72 |
Peace Parley by the Panchala Priest |
206 |
73 |
"Parthasarathi"-Arjuna's
Charioteer |
208 |
74 |
Flattered Vanity
|
211 |
75 |
Pride Goeth Before Fall |
215 |
76 |
Pleasant Platitudes
and Hollow Hands |
217 |
77 |
The Sleepless Night |
219 |
78 |
Kunti and Karna |
221 |
79 |
The Plenipotentiary of
Peace |
224 |
80 |
Karna and Krishna |
234 |
81 |
The Pandava Generalissimo |
236 |
82 |
Supreme Commander of
the Kaurava Armies |
239 |
83 |
Rukmi the Rejected Renegade |
243 |
84 |
The Solitary Pilgrim
of Peace |
245 |
BHISMA PARVA |
||
85 |
The War Reporter |
247 |
86 |
The March of the Kaurava Army |
248 |
87 |
The Martial Code
|
250 |
88 |
Dharmaputra Seeks Benediction |
252 |
89 |
Bhagavadgita, The Song Celestial |
254 |
90 |
The Great War-First
Day |
265 |
91 |
The Great War-The
Second Day |
269 |
92 |
The Great War-The
Third Day |
272 |
93 |
The Great War-The Fourth
Day |
277 |
94 |
The Great War-The
Fifth Day |
280 |
95 |
The Great War-The
Sixth Day |
282 |
96 |
The Great War-The
Seventh Day |
28S |
97 |
The Great War-The
Eighth Day |
288 |
98 |
The Great War-The
Ninth Day |
293 |
99 |
The Secret Meeting |
297 |
100 |
The Great War-The
Tenth Day |
299 |
101 |
Karna and Bhisma |
304 |
DRONA PARVA |
||
102 |
The Great War-The
Eleventh Day |
306 |
103 |
The Preceptor's
Promise |
308 |
104 |
The Great War-The
Twelfth Day |
313 |
105 |
Supratika |
316 |
106 |
The Great War-The
Thirteenth Day |
320 |
107 |
Saindhava Jayadratha |
322 |
108 |
Abhimanyu |
323 |
109 |
The Father's Grief |
326 |
110 |
The Vow |
328 |
111 |
The Great War-The
Fourteenth Day |
331 |
112 |
Duryodhana's Discomfiture |
334 |
113 |
Satyaki and Bhurisrava |
336 |
114 |
Bhurisrava |
338 |
115 |
Bhima's Exploits |
341 |
116 |
Humiliation of Bhima |
343 |
117 |
Death of Saindhava |
344 |
118 |
The Nocturnal Fight |
346 |
119 |
The Great War-The
Fifteenth Day |
349 |
KARNA PARVA |
||
120 |
The Great War-The
Sixteenth Day |
355 |
121 |
The Great War-The
Seventeenth Day |
358 |
122 |
Karna and Yudhisthira |
360 |
123 |
Beloved Brothers At
Loggerheads |
363 |
124 |
Death of Duhsasana |
366 |
125 |
Fall of Karna |
367 |
126 |
Duryodhana's Grief |
371 |
SALYA PARVA |
||
127 |
The Great War-The
Eighteenth Day |
373 |
128 |
Hypnotism of Hope |
373 |
129 |
The Final Encounter |
377 |
130 |
Balarama's Indictment |
379 |
SAUPTIKA PARVA |
||
131 |
The Massacre at
Midnight |
382 |
132 |
The Gruesome Gem |
385 |
STRI PARVA |
||
133 |
The Condolences |
387 |
134 |
The Sorrowful Secret |
390 |
SANTI PARVA |
||
135 |
The Integral
Equilibrium |
392 |
136 |
The Coronation |
393 |
ANUSASANIKA PARVA |
||
137 |
The Instruction |
395 |
ASVAMEDHA PARVA |
||
138 |
Sri Krishna's Exit |
397 |
139 |
Udanka |
397 |
140 |
The Still-Born Child |
400 |
141 |
The Asvamedha |
401 |
142 |
Saktuprastha |
404 |
ASRAMA VASA PARVA |
||
143 |
Death of Dhritarashtra |
410 |
MAUSALA PARVA |
||
144 |
The Drunken Debacle |
412 |
MAHAPRASTHANIKA & SVARGAROHANA PARVAS |
||
145 |
The Mahaprasthana |
416 |
PART II |
||
A CHRONOLOGICAL STUDY |
||
1 |
Authorship of The
Mahabharata Vedavyasa |
423 |
2 |
Evolution of the Epic |
425 |
3 |
Ugrasravas and the Sattrayaga
of Saunaka |
429 |
4 |
Repetitions |
437 |
5 |
Recensions |
438 |
6 |
Commentaries |
439 |
7 |
The Mahabharata-A Chronological
Study |
440 |
8 |
Geographical Evidence |
449 |
9 |
Evidences of Sutra
Literature |
451 |
10 |
Astronomical
References |
452 |
11 |
Vidura Seva Ashram Seminar |
455 |
12 |
Objections against the
Traditional Theory |
461 |
13 |
Archaeology |
465 |
14 |
Mahabharata-Myth and
Reality Glossary |
473 |
Glossary |
487 |
|
Index |
493 |