Kathakali is very elaborate, specific and well defined in its make-up technique and costume designing. Tremendous importance is attached to facial expressions and hand gestures. This classical form is spectacular, colourful, exaggerated and larger-than-life. Here, each artiste plays a specific role. Kathakali has different character types - hero, anti- hero, villain, good man etc. Each character type has a different face colour, face attachment (chutti), crown and costume.
Kuchipudi performances are a sequence of items of varying duration. They bring out a range of themes and are aptly interspersed with brilliant pure dance sequences. Of these, the Tharangam is most important. In this item, the artiste dances on a brass plate, sometimes even balancing a brass pot with water. A well-trained dancer can move all through the stage on the plate and perform a range of movements, leaving the audience truly wonder struck.
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1 | What is Kathakali? | 13 |
2 | The Kathakali Training | 20 |
3 | The Kathakali Make-up | 28 |
4 | Paccha Vesham | 33 |
5 | Types of Characters | 73 |
6 | Reflecting on the Transformation | 95 |
7 | The Art of Communication | 99 |
8 | The Kathakali Music | 115 |
9 | Some Salient Features | 123 |
10 | Kathakali and Kathak | 131 |
11 | Kathakali in a Changing Context | 145 |
12 | Kathakali at a glance | 151 |
13 | Kattalan Vesham | 153 |
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14 | Kuchipudi Postures | 179 |
15 | Kuchipudi accessories | 207 |
16 | What is Kuchipudi? | 219 |
17 | Performing Technique | 235 |
18 | The Classroom | 249 |
19 | More on Adavus and Leg Positions | 261 |
20 | The Four types of Abhinaya | 283 |
21 | The Music Accompaniment | 291 |
22 | The format of a solo performance | 295 |
23 | Kuchipudi at a glance | 321 |
24 | Note on Naming of the Book | 325 |
25 | Getting the Artiste Ready | 329 |
From the Editor's Desk | 384 |
Kathakali is very elaborate, specific and well defined in its make-up technique and costume designing. Tremendous importance is attached to facial expressions and hand gestures. This classical form is spectacular, colourful, exaggerated and larger-than-life. Here, each artiste plays a specific role. Kathakali has different character types - hero, anti- hero, villain, good man etc. Each character type has a different face colour, face attachment (chutti), crown and costume.
Kuchipudi performances are a sequence of items of varying duration. They bring out a range of themes and are aptly interspersed with brilliant pure dance sequences. Of these, the Tharangam is most important. In this item, the artiste dances on a brass plate, sometimes even balancing a brass pot with water. A well-trained dancer can move all through the stage on the plate and perform a range of movements, leaving the audience truly wonder struck.
|
||
1 | What is Kathakali? | 13 |
2 | The Kathakali Training | 20 |
3 | The Kathakali Make-up | 28 |
4 | Paccha Vesham | 33 |
5 | Types of Characters | 73 |
6 | Reflecting on the Transformation | 95 |
7 | The Art of Communication | 99 |
8 | The Kathakali Music | 115 |
9 | Some Salient Features | 123 |
10 | Kathakali and Kathak | 131 |
11 | Kathakali in a Changing Context | 145 |
12 | Kathakali at a glance | 151 |
13 | Kattalan Vesham | 153 |
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||
14 | Kuchipudi Postures | 179 |
15 | Kuchipudi accessories | 207 |
16 | What is Kuchipudi? | 219 |
17 | Performing Technique | 235 |
18 | The Classroom | 249 |
19 | More on Adavus and Leg Positions | 261 |
20 | The Four types of Abhinaya | 283 |
21 | The Music Accompaniment | 291 |
22 | The format of a solo performance | 295 |
23 | Kuchipudi at a glance | 321 |
24 | Note on Naming of the Book | 325 |
25 | Getting the Artiste Ready | 329 |
From the Editor's Desk | 384 |