A HISTORY OF URDU LITERATURE seeks to present a compact survey of the rich and varied contribution of Urdu to the Indian literary mainstream through centuries of shared creative endeavour and inspiration. Designed to serve as a reliable guide for interested readers from sister languages. It brings into focus the currents and cross currents that have shaped its history and produced personalities of distinction and prestige whose works have stood the test of time. The lucid and balanced treatment of the numerous forms of poetry and prose has both range and depth and reveals a broad understanding of the historical forces behind deviations from convention and transformations in styles that have given us perennial sources of joy and intellectual fulfilment.
The dynamism of its patriotic poetry, in particular, during the various phases of our freedom struggle and the cohesive absorption of the classical works of all the major religions has been highlighted appropriately. The vigorous role of journalism has also received due notice. Despite pressure on space in the brief survey, essential specimens of poetry have been added in original along with prose renderings in English to mirror the conflicting demands of a vibrant tradition of lyricism, fervour of nationalism and a resurgence of social realism.
About the Author:
ALI JAWAD ZAIDI (b. 1916) is a scholar, poet and critic of repute and has won the prestigious Padmashri award for his meritorious services in the field of literature. Author of about 60 books, he has written in Urdu, Hindi, English and occasionally in persian as well. In the present volume, written primarily for the non-Urdu readers, he surveys, evaluates and interprets the achievements of the language with a rare fairness and understanding.
Back of Book:
It was a happy idea of the Sahitya Akademi to organise the publication of historical studies of the literatures of our various languages in India. . . It may not be possible for many of us to have a direct acquaintance with the literatures of our various languages. But it is certainly desirable that every person of India who claims to be educated should know something about languages other than his own. . . In order to help in this process, the Sahitya Akademi has been. . . sponsoring these histories of Indian literatures. The Akademi is thus widening and deepening the basis of our cultural knowledge and making people realize the essential unity of India's thought and literary background.
JAWAHARLAL NEHRU
Preface | v |
Chapter I Early History | 1 |
Modern Indian Languages | 4 |
Western Hindi Dialects | 7 |
The Many Names of Urdu | 9 |
Literary Traditions | 11 |
Forms of Urdu Poetry | 13 |
Chapter II Earliest Writings (11th-16th Century) | 19 |
Amir Khusrau | 22 |
Rekhtah | 26 |
Transfer of Tradition | 35 |
Chapter III Dakhani Urdu (14th-18th century) | 36 |
Official Language | 37 |
Earliest Dakhani Work | 38 |
Three Main Phases | 39 |
Sab-Ras | 44 |
In Gujarat | 46 |
Vali | 49 |
Post-Vali Period | 53 |
Prose | 55 |
Chapter IV The Northern Scene (16th-17th century) | 57 |
Braj Bhasha | 59 |
Rapprochement | 61 |
In Shahjahanabad | 64 |
Lexicons | 66 |
Afzal Jhanjhanavi | 67 |
Chapter V A Golden Phase (18th Century) | 70 |
Quli Qutub Shah | 72 |
Fayez | 73 |
Abru and Hatim | 74 |
Masnavi and Marsiah | 78 |
Shahr Ashoub | 80 |
Chapter VI Diffusion and Diversification | 81 |
New Centre at Avadh | 82 |
Mirza Mazhar Jan-e-Janan | 87 |
Sauda | 88 |
Dard | 95 |
Mir | 97 |
Mir Hasan | 109 |
Soz | 113 |
Masnavis | 116 |
Prose | 119 |
Dastan | 122 |
Criticism and Stylised Prose | 125 |
Chapter VII After the Great Trio | 127 |
No Separate Schools | 129 |
Insha | 135 |
Mus-hafi | 138 |
Rangin | 139 |
Jur'at | 141 |
Chapter VIII Nazir Akbarabadi | 143 |
Chapter IX Age of Nasikh and Atash | 150 |
Nasikh | 150 |
Atash | 154 |
Shah Nasir | 158 |
Chapter X The New Marsiah | 159 |
Mir Anis | 160 |
Mirza Dabir | 168 |
Chapter XI Age of Masnavi | 170 |
Inder Sabha | 175 |
Chapter XII The Twilight and Ghalib | 178 |
Zauq | 180 |
Momin | 181 |
Zafar | 183 |
Ghalib | 184 |
Masnavi | 197 |
Chapter XIII Emergence or Prose | 199 |
Rajab Ali Beg Suroor | 201 |
Bostan-e-Kheyal | 204 |
Chapter XIV New Prose and New Colleges | 209 |
Fort William College | 209 |
Delhi College | 210 |
Lucknow Translation Bureau | 212 |
Chapter XV Journalism | 214 |
Printing Press | 214 |
First Journal | 215 |
Chapter XVI Post-Rebellion Scene | 219 |
Dagh | 220 |
Munir | 222 |
Amir | 222 |
Chapter XVII Literature of Freedom | 227 |
War of Independence | 229 |
Journalist Patriots | 230 |
Chapter XVIII Dawn of an Era | 233 |
Syed Ahmad Khan | 234 |
Purposive criticism | 236 |
Mohammad Husain 'Azad | 238 |
Hali | 241 |
Shibli No'mani | 243 |
Chapter XIX Novel and Drama | 248 |
Nazir Ahmad | 248 |
Sarshar | 250 |
Sharar | 252 |
Sajjad Husain | 253 |
Ruswa | 253 |
Drama | 255 |
Agha Hashr Kashmiri | 257 |
Chapter XX Writer-Journalists | 259 |
Maulana Abul Kalam Azad | 259 |
Maulana Mohammad Ali | 261 |
Khwaja Hasan Nizami | 262 |
Chapter XXI Age of Literary Criticism | 265 |
Niaz Fatehpuri | 267 |
Abdul Haq | 268 |
Masood Hasan Rizvi | 270 |
Syed Mohiuddin Qadri Zore | 271 |
Kalimuddin Ahmed | |
Chapter XXII New Wave in Poetry | 275 |
Mohammad Husain Azad | 276 |
Hali | 278 |
Akbar Allahabadi | 280 |
Brij Narain Chakbast | 287 |
Chapter XXIII Iqbal and the New Dawn | 291 |
Chapter XXIV Poetry of Youth and Vigour | 309 |
Josh Malihabadi | 310 |
Firaq Gorakhpuri | 320 |
Simab and Hafiz | 325 |
Chapter XXV Revival of Ghazal | 333 |
Shad Azimabadi | 333 |
Hasrat Mohani | 338 |
Yagana | 340 |
Geet | 347 |
Chapter XXVI The Progressive Upsurge | 348 |
Majnoon Gorakhpuri | 352 |
Ale Ahmad Surror | 354 |
Ehtesham Husain | 354 |
Mumtaz Husain | 356 |
New Trends in Criticism | 358 |
Gopi Chand Narang | 358 |
Shamsur Rahman Faruqi | 359 |
Chapter XXVIIProgressive Poetry and Arbab-e-Zauq | 361 |
Faiz | 362 |
Majaz | 366 |
Makhdum Mohiuddin | 367 |
Ali Sardar Jafri | 368 |
Jan Nisar Akhtar | 370 |
Sahir Ludhianvi | 371 |
Kaifi Azmi | 372 |
Halqah-e-Arbab-e-Zauq | 376 |
Noon Meem Rashid | 379 |
The Unattached | 382 |
Chapter XXVIII New Generation Poets | 383 |
Khalilur Rahman Azmi | 384 |
Nazish | 386 |
Chapter XXIX Modern Fiction | 390 |
Prem Chand | 393 |
Krishan Chander | 399 |
Saadat Hasan Munto | 400 |
Rajendar Singh Bedi | 401 |
Ismat Chughtai | 402 |
Aziz Ahmad | 406 |
Qurrantulain Hyder | 407 |
Modern novels | 411 |
Chapter XXX Humour and Satire | 418 |
Before Avadh Punch | 419 |
Age of Avadh Punch | 420 |
Prose Humour | 422 |
Rashid Ahmad Siddiqui | 425 |
Patras Bukhari | 425 |
Chapter XXXI Research and Literary Miscellany | 429 |
Chapter XXXII Beyond the Seventies | 437 |
Select Bibliography | 443 |
Index | 447 |
A HISTORY OF URDU LITERATURE seeks to present a compact survey of the rich and varied contribution of Urdu to the Indian literary mainstream through centuries of shared creative endeavour and inspiration. Designed to serve as a reliable guide for interested readers from sister languages. It brings into focus the currents and cross currents that have shaped its history and produced personalities of distinction and prestige whose works have stood the test of time. The lucid and balanced treatment of the numerous forms of poetry and prose has both range and depth and reveals a broad understanding of the historical forces behind deviations from convention and transformations in styles that have given us perennial sources of joy and intellectual fulfilment.
The dynamism of its patriotic poetry, in particular, during the various phases of our freedom struggle and the cohesive absorption of the classical works of all the major religions has been highlighted appropriately. The vigorous role of journalism has also received due notice. Despite pressure on space in the brief survey, essential specimens of poetry have been added in original along with prose renderings in English to mirror the conflicting demands of a vibrant tradition of lyricism, fervour of nationalism and a resurgence of social realism.
About the Author:
ALI JAWAD ZAIDI (b. 1916) is a scholar, poet and critic of repute and has won the prestigious Padmashri award for his meritorious services in the field of literature. Author of about 60 books, he has written in Urdu, Hindi, English and occasionally in persian as well. In the present volume, written primarily for the non-Urdu readers, he surveys, evaluates and interprets the achievements of the language with a rare fairness and understanding.
Back of Book:
It was a happy idea of the Sahitya Akademi to organise the publication of historical studies of the literatures of our various languages in India. . . It may not be possible for many of us to have a direct acquaintance with the literatures of our various languages. But it is certainly desirable that every person of India who claims to be educated should know something about languages other than his own. . . In order to help in this process, the Sahitya Akademi has been. . . sponsoring these histories of Indian literatures. The Akademi is thus widening and deepening the basis of our cultural knowledge and making people realize the essential unity of India's thought and literary background.
JAWAHARLAL NEHRU
Preface | v |
Chapter I Early History | 1 |
Modern Indian Languages | 4 |
Western Hindi Dialects | 7 |
The Many Names of Urdu | 9 |
Literary Traditions | 11 |
Forms of Urdu Poetry | 13 |
Chapter II Earliest Writings (11th-16th Century) | 19 |
Amir Khusrau | 22 |
Rekhtah | 26 |
Transfer of Tradition | 35 |
Chapter III Dakhani Urdu (14th-18th century) | 36 |
Official Language | 37 |
Earliest Dakhani Work | 38 |
Three Main Phases | 39 |
Sab-Ras | 44 |
In Gujarat | 46 |
Vali | 49 |
Post-Vali Period | 53 |
Prose | 55 |
Chapter IV The Northern Scene (16th-17th century) | 57 |
Braj Bhasha | 59 |
Rapprochement | 61 |
In Shahjahanabad | 64 |
Lexicons | 66 |
Afzal Jhanjhanavi | 67 |
Chapter V A Golden Phase (18th Century) | 70 |
Quli Qutub Shah | 72 |
Fayez | 73 |
Abru and Hatim | 74 |
Masnavi and Marsiah | 78 |
Shahr Ashoub | 80 |
Chapter VI Diffusion and Diversification | 81 |
New Centre at Avadh | 82 |
Mirza Mazhar Jan-e-Janan | 87 |
Sauda | 88 |
Dard | 95 |
Mir | 97 |
Mir Hasan | 109 |
Soz | 113 |
Masnavis | 116 |
Prose | 119 |
Dastan | 122 |
Criticism and Stylised Prose | 125 |
Chapter VII After the Great Trio | 127 |
No Separate Schools | 129 |
Insha | 135 |
Mus-hafi | 138 |
Rangin | 139 |
Jur'at | 141 |
Chapter VIII Nazir Akbarabadi | 143 |
Chapter IX Age of Nasikh and Atash | 150 |
Nasikh | 150 |
Atash | 154 |
Shah Nasir | 158 |
Chapter X The New Marsiah | 159 |
Mir Anis | 160 |
Mirza Dabir | 168 |
Chapter XI Age of Masnavi | 170 |
Inder Sabha | 175 |
Chapter XII The Twilight and Ghalib | 178 |
Zauq | 180 |
Momin | 181 |
Zafar | 183 |
Ghalib | 184 |
Masnavi | 197 |
Chapter XIII Emergence or Prose | 199 |
Rajab Ali Beg Suroor | 201 |
Bostan-e-Kheyal | 204 |
Chapter XIV New Prose and New Colleges | 209 |
Fort William College | 209 |
Delhi College | 210 |
Lucknow Translation Bureau | 212 |
Chapter XV Journalism | 214 |
Printing Press | 214 |
First Journal | 215 |
Chapter XVI Post-Rebellion Scene | 219 |
Dagh | 220 |
Munir | 222 |
Amir | 222 |
Chapter XVII Literature of Freedom | 227 |
War of Independence | 229 |
Journalist Patriots | 230 |
Chapter XVIII Dawn of an Era | 233 |
Syed Ahmad Khan | 234 |
Purposive criticism | 236 |
Mohammad Husain 'Azad | 238 |
Hali | 241 |
Shibli No'mani | 243 |
Chapter XIX Novel and Drama | 248 |
Nazir Ahmad | 248 |
Sarshar | 250 |
Sharar | 252 |
Sajjad Husain | 253 |
Ruswa | 253 |
Drama | 255 |
Agha Hashr Kashmiri | 257 |
Chapter XX Writer-Journalists | 259 |
Maulana Abul Kalam Azad | 259 |
Maulana Mohammad Ali | 261 |
Khwaja Hasan Nizami | 262 |
Chapter XXI Age of Literary Criticism | 265 |
Niaz Fatehpuri | 267 |
Abdul Haq | 268 |
Masood Hasan Rizvi | 270 |
Syed Mohiuddin Qadri Zore | 271 |
Kalimuddin Ahmed | |
Chapter XXII New Wave in Poetry | 275 |
Mohammad Husain Azad | 276 |
Hali | 278 |
Akbar Allahabadi | 280 |
Brij Narain Chakbast | 287 |
Chapter XXIII Iqbal and the New Dawn | 291 |
Chapter XXIV Poetry of Youth and Vigour | 309 |
Josh Malihabadi | 310 |
Firaq Gorakhpuri | 320 |
Simab and Hafiz | 325 |
Chapter XXV Revival of Ghazal | 333 |
Shad Azimabadi | 333 |
Hasrat Mohani | 338 |
Yagana | 340 |
Geet | 347 |
Chapter XXVI The Progressive Upsurge | 348 |
Majnoon Gorakhpuri | 352 |
Ale Ahmad Surror | 354 |
Ehtesham Husain | 354 |
Mumtaz Husain | 356 |
New Trends in Criticism | 358 |
Gopi Chand Narang | 358 |
Shamsur Rahman Faruqi | 359 |
Chapter XXVIIProgressive Poetry and Arbab-e-Zauq | 361 |
Faiz | 362 |
Majaz | 366 |
Makhdum Mohiuddin | 367 |
Ali Sardar Jafri | 368 |
Jan Nisar Akhtar | 370 |
Sahir Ludhianvi | 371 |
Kaifi Azmi | 372 |
Halqah-e-Arbab-e-Zauq | 376 |
Noon Meem Rashid | 379 |
The Unattached | 382 |
Chapter XXVIII New Generation Poets | 383 |
Khalilur Rahman Azmi | 384 |
Nazish | 386 |
Chapter XXIX Modern Fiction | 390 |
Prem Chand | 393 |
Krishan Chander | 399 |
Saadat Hasan Munto | 400 |
Rajendar Singh Bedi | 401 |
Ismat Chughtai | 402 |
Aziz Ahmad | 406 |
Qurrantulain Hyder | 407 |
Modern novels | 411 |
Chapter XXX Humour and Satire | 418 |
Before Avadh Punch | 419 |
Age of Avadh Punch | 420 |
Prose Humour | 422 |
Rashid Ahmad Siddiqui | 425 |
Patras Bukhari | 425 |
Chapter XXXI Research and Literary Miscellany | 429 |
Chapter XXXII Beyond the Seventies | 437 |
Select Bibliography | 443 |
Index | 447 |