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The Aryaman Trilogy - An Epic Novel in Three Parts
by Bina Saksena
Paperback (Edition: 2010)
Sri Aurobindo Ashram, Pondicherry
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By The Body of The Earth or The Sannyasi (A Perpetual Story)
by Satprem
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Mira Aditi Centre
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Parayana (The Poetic Works of Bhagavan Sri Ramana Maharshi)
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Sri Ramanasramam Tiruvannamalai
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Alankara Kaustubha (The Jewel of Poetics)
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Brahmi Script (An Invention of the Early Maurya Period)
by S. R. Goyal
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Kusumanjali Book World, Jodhpur
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Religion and Rabindranath Tagore (Select Discourses, Addresses, and Letters in Translation)
by Amiya P. Sen
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Oxford University Press
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Stories from The Jatakas
by Anant Pai
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Amar Chitra Katha
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Iswar Chandra Vidyasagar and His Elusive Milestones
by Ashoke Sen
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Permanent Black
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The Concept of The Beautiful in Sanskrit Literature
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Tell the Tale Urvashi
by Dalip Kaur Tiwana
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Orient Blackswan Pvt. Ltd
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A Freethinking Cultural Nationalist (A Life History of Rahul Sankrityayan)
by Alka Atreya Chudal
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Oxford University Press
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An Advanced Course in Bengali (An Old and Rare Book)
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Learn Sanskrit - The Natural Way
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Selected Poems From The Divani Shamsi Tabriz
by R.A. Nicholson
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Kitab Bhavan
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THE ALPHABET A Key to the History of Mankind
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Some Aspects of Literary Criticism in Sanskrit Or The Theories of Rasa and Dhvani
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Bande Mataram Early Political Writings of Sri Aurobindo
by Sri Aurobindo
Hardcover (Edition: 1997)
Sri Aurobindo Ashram Pondicherry
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Mira Bai and Her Padas
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History of Indian Erotic Literature (An Old Book)
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The Complete Pancatantra: Sanskrit Text with English Translation
by Dr. Naveen Kumar Jha
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J.P. Publishing House
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"Senses delight all and have delighted always, but Indian theorists were perhaps the earliest to perceive the delight of senses as the essence of being - a phenomenon of mind sublimating spiritually... man's 'bhava-jagat'...(emotional world)...alone comprised the theme of poetry, drama, sculpture, or painting. The spectator - 'rasika', as he is called, witnesses a dramatic performance for the enjoyment of 'Rasa'... This 'Rasa'... - the delight which the spectator experienced when witnessing an emotion enacted on the stage, or represented into a medium, is the core of Indian aesthetic thought... As Bharat had it, a subject's instinctive nature comprising all sentiments and emotions - inherent and inborn, as well as concurrent and passing, alone could be the theme of arts... Bharat averred that arts were arts only when they excited the senses and aroused emotions, and created 'Rasa', in which the mind perpetually rejoiced. He prescribed ten conditions of good writing - 'gunas' as he called them; ten faults - 'doshas', a good writing should avoid; and, thirty-six characters of a literary writing. Bharat's perception was thus broad as well as minute and analytical..."
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